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The deal is that what makes for a great novel is not what makes for a great movie in most cases; novels are internal, movies are external. And often execs hear about a big SF book, they don't know anything about it except that it's popular or famous, and they option it...then find out what it is and have no idea how to make it...or what it was...or why it works... and after buying it for what it *is* they try to make it into something it's *not* because they're more comfortable wit what it isn't but could be than what it is and can't be.
And the fact that I actually understood what I wrote and was entirely serious in it suddenly tells me that I've been in this town WAY too long.
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